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James Graham
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We recently bounced into James Graham's work through a travel notice posted on a photography website. His imagery, gritty and raw, seems to capture more of what the model is thinking than doing. James works in the dirt world utilizing black and white film as his recording media. His vision imparts a documentary feel with a voyeuristic slant.

Bio...

James Graham has spent 15 years as a filmmaker, at various times producing, writing, directing and shooting.  He has worked on everything from a Guns 'n' Roses video to the 2004 Natori Lingerie Campaign.
 
In 2003, he focused his energy on several personal photography projects:
The Room Series
Dark Fashion Series
A Personal Interpretation of Lewis Carroll's Alice In Wonderland.
 
As the Room Series nears completion, James is working with the images for a simultaneous book release and gallery exhibition.
 
Portland Shoot...

James will be in Portland and would like to schedule some models for a photo shoot on the afternoon of Sunday the 28th. The photo session will run from 4-5 hours and requires communication in advance regarding wardrobe and makeup.

James Seeks...

"I'm seeking free-spirited exhibitionists for a Dark Erotic Fashion series, bound for publication and a NYC Gallery. I work best with models who are comfortable with their bodies, open to suggestion, fetish and/or BDSM imagery. I do not shoot pornography. This is art through my eyes and through my lens. I shoot 35mm, high-speed black & white film exclusively. Expect to shoot 3-4 looks, clothed, implied, artistic and erotic nudes. I provide a CD with 20-30 hi-resolution images (300dpi @ 8" x 10") approximately 8 weeks after the shoot. the images are shared copyright between me and the model, although I do require a standard release."

Contact James...

Visit his website by clicking here and then click his contact link to drop him an email.

The Web Site of James Graham



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Q+A with James Graham

Q: What are your photographic roots... how did you get started in photography?

A: My Dad gave me a Kodak Brownie Super 8 film camera when I was 12. I shot a bunch of stuff with ketchup death that I thought was cool. Little did I know that I was actually figuring out composition, editing, wardrobe and special effects (beyond ketchup). My Mom took me to Fotomat to get it developed and Santa Claus brought me a projector for XMAS.

Q: What lead you to start shooting erotica?

A: I like women. I really like naked women. I'm a straight male. And most importantly, I found out that I can do it fairly well.

Q: What was your most awkward incident while shooting?

A: There have been a couple. Most have involved time of the month kind of scenarios. But no jealous boyfriends. My favorite was the husband that sat around and read KERRANG! and constantly suggested more provocative wardrobe for his wife. One of the best shoots I've ever had.

Q: You shoot with film still.... why not embrace the digital world?

A: I cannot disassociate myself with the grain that film offers. In order to replicate what I do digitally, you have to employ all sorts of "fake film" filters. And no one who knows is fooled, including most of the public who doesn't know. More than anything, it's a style. And I just hope to God that when Fuji decides to stop making Neopan 1600, they send me what they've got in the warehouse.

Q: What inspires you before during and after a shoot?

A: The model. my pre-production brainstorming with the model, and the pictures in my mind.

Q: Who would you really love to shoot? Doing what? And why?

A: PJ Harvey. Wearing nothing but white knee-high boots on a bed of black feathers. Why? Because she's, well, not responding to my emails...

Q: Does shooting erotica affect the way others see you?

A: I'm an adult. My girlfriend is my biggest supporter. My parents know what I do and are proud of it. This is my art. I absolutely do not care what anyone else thinks...

Q: Have you seen a trend toward acceptance of the genre, explain?

A: The Internet makes everything, and I mean everything accessible. I think that is good. However, it's what the individual does with it that is important.

Q: Advice to a model?

A: Do not be stupid. This is your life. Meet with every photographer in advance. Get references, many of them. Be very clear about your limitations. Very clear. Most importantly, protect yourself. And if you choose not to do any of the above - quit now. There is nothing more depressing to me than hearing stories from people I work with that reinforce the Guy With Camera scenario, which resonates throughout the industry and makes us all look bad.

 

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New pumpkin bashing!!...
Written by Kennedy   
Monday, 13 October 2008
Check out the new pic of me getting ready to slash up a cute lil' pumpkin!!! It's on my performer page in black & white!! =) ~Kennndy!
 
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